![]() ![]() Sick Child of the Harris Family c. 1855 Gift of Mrs. W. Johns As photography became more widely available, portraits of sick and even dead children became more common. They were a last chance to preserve a remembrance of a child. The most deadly diseases to strike Louisiana during the antebellum period were cholera, smallpox, malaria, and yellow fever. In an epidemic year the mortality rate could reach as high as sixty percent of those who contracted a disease. The death rate in New Orleans ranged from a low of 36 per 1,000 in the late 1820s to a high of 1 in 15 during the summer of 1853. Over 12,000 people died of yellow fever in New Orleans that year, with still more deaths in rural areas in south Louisiana, marking the single highest annual death rate of any state during the entire nineteenth century. Because people died faster than graves could be dug, the popular saying was that pretty soon people would have to dig their own graves. ![]() Casket Lid Almond D. Fisk 1853 Gift of Leonard Huber The use of cast iron for coffins allowed a wide variety of shapes. Death rates were highest in urban areas like New Orleans, where large numbers of people packed into small areas spread disease quickly. The filth that accumulated in New Orleans and the swampy areas that surrounded it attracted disease-carrying insects and polluted the water supply. Thousands of sailors and steamboat workers also introduced diseases as they passed through the port. Businessmen and politicians who wanted goods and people to keep coming to Louisiana ignored or purposefully covered up the problem of disease and death. To maintain a wide-open port free of quarantines, business interests tried to convince newspapers and directories not to publish negative news or publicize the astounding number of deaths in New Orleans. ![]() Newspaper Advertisement January 9, 1852 From the Daily Delta One of the most popular cures for all illnesses was blood-letting to release "bad blood," achieved through the use of leeches and lancets. This ad is for Hungarian and Swedish leeches, guaranteed healthy. Established in 1855, the Louisiana State Board of Health was the first state board in the United States. New Orleans had created its own board of health four decades earlier, in 1817. In an effort to reduce skyrocketing death rates, the Louisiana State Board of Health implemented and oversaw measures relating to quarantine and public health. Lower Louisiana is famous for its "Cities of the Dead," the cemeteries of above-ground tombs and wall crypts, or "ovens." Because so much of the area is below sea level, coffins did not readily stay in the ground but rather floated to the top. It only took a heavy rain to raise the dead. To address the problem antebellum authorities at times prohibited interment in the ground. Thus, most south Louisianians were, and still are, buried above the earth's surface. ![]() St. Louis Cemetery No. 2 George François Mugnier c. 1895 This view shows the arrangement of tombs and wall crypts, or "ovens." Burial construction varied by class and faith. Wealthy Louisianians commissioned large, elaborate family tombs, while those with lesser means were buried in small units of ovenlike wall crypts. The very poor who could not afford tombs or crypts were buried below ground, often in unmarked or mass graves. During epidemics the dead were often buried one on top of another. ![]() Child with Drum Florville Foy c. 1840 Florville Foy, a free man of color, was one of the most successful marble cutters and sculptors in antebellum New Orleans. He produced this piece as a tomb ornament. The high mortality rate kept marble cutters like Foy and funeral contractors in business. Antebellum Louisianians mourned the dead by staging elaborate funerals and processions, decorating graves at the time of death and on All Saints' Day and All Souls' Day, placing black wreaths on doors and black ribbons on door pulls, and wearing clothes and jewelry that symbolized stages of mourning. Many customs incorporated Latin and African elements, a cultural heritage from Louisiana's colonial era. ![]() Mourning Brooch and Earrings c. 1866 Gift of Mariquita A. Wolfe This mourning jewelry is composed in part of human hair. Hair jewelry could be made by the mourner or by artists who specialized in such work with hair clipped from the deceased at the time of death. African-American influences on Louisiana mourning traditions included the celebration of funerals with dancing, music, and singing. The wearing of white at funerals and other celebrations involving the dead had religious symbolism and was most likely an African-American cultural carryover. In 1819 English-born architect Benjamin Henry Latrobe encountered a funeral procession in New Orleans for an old Congo slave woman and wrote: In going home to my lodgings this evening about sunset, I encountered a crowd of at least 200 negroes, men and women, who were following a corpse to the cemetery. Of the women, one half at least carried candles, & as the evening began to be dark, the effect was very striking, for all the women & many of the men were dressed in pure white. The funerals are so numerous here, or rather occupy so much of every afternoon in consequence of their being, almost all of them, performed by the same set of priests, proceeding from the same parish Church [St. Louis Cathedral], that they excite hardly any attention. In antebellum Louisiana, and even now, celebration of death did not end with the funeral. On or near tombs and crypts friends and relatives placed immortelles, wreaths commonly made of such durable materials as glass and wire. Battle of New Orleans | Antebellum LA. - Politics | Antebellum LA. - Immigration Antebellum LA. - Death & Mourning | Antebellum LA. - Agrarian Life | Antebellum LA. - Urban Life Civil War | Reconstruction - A State Divided | Reconstruction - Change and Continuity LSM Home Page |